The 10 Best Fiction Books of 2020
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10. Breasts and Eggs, Mieko Kawakami
A New York Times 'Notable Book of 2020'
One of Elena Ferrante's 'Top 40 Books by Female Authors'
'A sharply observed and heartbreaking portrait of what it means to be a woman, in Japan and beyond' –Time, 'The 100 Must-Read Books of 2020'
'Breathtaking' – Haruki Murakami, author of The Wind-up Bird Chronicle
On a hot summer’s day in a poor suburb of Tokyo we meet three women: thirty-year-old Natsuko, her older sister Makiko, and Makiko’s teenage daughter Midoriko. Makiko, an ageing hostess despairing the loss of her looks, has travelled to Tokyo in search of breast enhancement surgery. She's accompanied by Midoriko, who has recently stopped speaking, finding herself unable to deal with her own changing body and her mother’s self-obsession. Her silence dominates Natsuko’s rundown apartment, providing a catalyst for each woman to grapple with their own anxieties and their relationships with one another.
Eight years later, we meet Natsuko again. She is now a writer and find herself on a journey back to her native city, returning to memories of that summer and her family’s past as she faces her own uncertain future.
In Breasts and Eggs Mieko Kawakami paints a radical and intimate portrait of contemporary working class womanhood in Japan, recounting the heartbreaking journeys of three women in a society where the odds are stacked against them. This is an unforgettable full length English language debut from a major new international talent.
'Bold, modern and surprising' – An Yu, author of Braised Pork
'Incredible and propulsive' – Naoise Dolan, author of Exciting Times
One of Elena Ferrante's 'Top 40 Books by Female Authors'
'A sharply observed and heartbreaking portrait of what it means to be a woman, in Japan and beyond' –Time, 'The 100 Must-Read Books of 2020'
'Breathtaking' – Haruki Murakami, author of The Wind-up Bird Chronicle
On a hot summer’s day in a poor suburb of Tokyo we meet three women: thirty-year-old Natsuko, her older sister Makiko, and Makiko’s teenage daughter Midoriko. Makiko, an ageing hostess despairing the loss of her looks, has travelled to Tokyo in search of breast enhancement surgery. She's accompanied by Midoriko, who has recently stopped speaking, finding herself unable to deal with her own changing body and her mother’s self-obsession. Her silence dominates Natsuko’s rundown apartment, providing a catalyst for each woman to grapple with their own anxieties and their relationships with one another.
Eight years later, we meet Natsuko again. She is now a writer and find herself on a journey back to her native city, returning to memories of that summer and her family’s past as she faces her own uncertain future.
In Breasts and Eggs Mieko Kawakami paints a radical and intimate portrait of contemporary working class womanhood in Japan, recounting the heartbreaking journeys of three women in a society where the odds are stacked against them. This is an unforgettable full length English language debut from a major new international talent.
'Bold, modern and surprising' – An Yu, author of Braised Pork
'Incredible and propulsive' – Naoise Dolan, author of Exciting Times
9. Where the Wild Ladies Are, Aoko Matsuda
In this "delightfully uncanny" collection of feminist retellings of traditional Japanese folktales (The New York Times Book Review), humans live side by side with spirits who provide a variety of useful services—from truth-telling to babysitting, from protecting castles to fighting crime.
A busybody aunt who disapproves of hair removal; a pair of door-to-door saleswomen hawking portable lanterns; a cheerful lover who visits every night to take a luxurious bath; a silent house-caller who babysits and cleans while a single mother is out working. Where the Wild Ladies Are is populated by these and many other spirited women—who also happen to be ghosts. This is a realm in which jealousy, stubbornness, and other excessive “feminine” passions are not to be feared or suppressed, but rather cultivated; and, chances are, a man named Mr. Tei will notice your talents and recruit you, dead or alive (preferably dead), to join his mysterious company.
With Where the Wild Ladies Are, Aoko Matsuda takes the rich, millenia-old tradition of Japanese folktales—shapeshifting wives and foxes, magical trees and wells—and wholly reinvents them, presenting a world in which humans are consoled, guided, challenged, and transformed by the only sometimes visible forces that surround them.
A busybody aunt who disapproves of hair removal; a pair of door-to-door saleswomen hawking portable lanterns; a cheerful lover who visits every night to take a luxurious bath; a silent house-caller who babysits and cleans while a single mother is out working. Where the Wild Ladies Are is populated by these and many other spirited women—who also happen to be ghosts. This is a realm in which jealousy, stubbornness, and other excessive “feminine” passions are not to be feared or suppressed, but rather cultivated; and, chances are, a man named Mr. Tei will notice your talents and recruit you, dead or alive (preferably dead), to join his mysterious company.
With Where the Wild Ladies Are, Aoko Matsuda takes the rich, millenia-old tradition of Japanese folktales—shapeshifting wives and foxes, magical trees and wells—and wholly reinvents them, presenting a world in which humans are consoled, guided, challenged, and transformed by the only sometimes visible forces that surround them.
8. Deacon King Kong, James McBride
One of Barack Obama's "Favorite Books of the Year"
Oprah's Book Club Pick
Named one of the Top Ten Books of the Year by the New York Times, Entertainment Weekly and TIME Magazine
A Washington Post Notable Novel
From the author of the National Book Award–winning The Good Lord Bird and the bestselling modern classic The Color of Water, comes one of the most celebrated novels of the year.
In September 1969, a fumbling, cranky old church deacon known as Sportcoat shuffles into the courtyard of the Cause Houses housing project in south Brooklyn, pulls a .38 from his pocket, and, in front of everybody, shoots the project’s drug dealer at point-blank range.
The reasons for this desperate burst of violence and the consequences that spring from it lie at the heart of Deacon King Kong, James McBride’s funny, moving novel and his first since his National Book Award–winning The Good Lord Bird. In Deacon King Kong, McBride brings to vivid life the people affected by the shooting: the victim, the African-American and Latinx residents who witnessed it, the white neighbors, the local cops assigned to investigate, the members of the Five Ends Baptist Church where Sportcoat was deacon, the neighborhood’s Italian mobsters, and Sportcoat himself.
As the story deepens, it becomes clear that the lives of the characters—caught in the tumultuous swirl of 1960s New York—overlap in unexpected ways. When the truth does emerge, McBride shows us that not all secrets are meant to be hidden, that the best way to grow is to face change without fear, and that the seeds of love lie in hope and compassion.
Bringing to these pages both his masterly storytelling skills and his abiding faith in humanity, James McBride has written a novel every bit as involving as The Good Lord Bird and as emotionally honest as The Color of Water. Told with insight and wit, Deacon King Kong demonstrates that love and faith live in all of us.
Oprah's Book Club Pick
Named one of the Top Ten Books of the Year by the New York Times, Entertainment Weekly and TIME Magazine
A Washington Post Notable Novel
From the author of the National Book Award–winning The Good Lord Bird and the bestselling modern classic The Color of Water, comes one of the most celebrated novels of the year.
In September 1969, a fumbling, cranky old church deacon known as Sportcoat shuffles into the courtyard of the Cause Houses housing project in south Brooklyn, pulls a .38 from his pocket, and, in front of everybody, shoots the project’s drug dealer at point-blank range.
The reasons for this desperate burst of violence and the consequences that spring from it lie at the heart of Deacon King Kong, James McBride’s funny, moving novel and his first since his National Book Award–winning The Good Lord Bird. In Deacon King Kong, McBride brings to vivid life the people affected by the shooting: the victim, the African-American and Latinx residents who witnessed it, the white neighbors, the local cops assigned to investigate, the members of the Five Ends Baptist Church where Sportcoat was deacon, the neighborhood’s Italian mobsters, and Sportcoat himself.
As the story deepens, it becomes clear that the lives of the characters—caught in the tumultuous swirl of 1960s New York—overlap in unexpected ways. When the truth does emerge, McBride shows us that not all secrets are meant to be hidden, that the best way to grow is to face change without fear, and that the seeds of love lie in hope and compassion.
Bringing to these pages both his masterly storytelling skills and his abiding faith in humanity, James McBride has written a novel every bit as involving as The Good Lord Bird and as emotionally honest as The Color of Water. Told with insight and wit, Deacon King Kong demonstrates that love and faith live in all of us.
7. A Burning, Megha Majumdar
For readers of Tommy Orange, Yaa Gyasi, and Jhumpa Lahiri, an electrifying debut novel about three unforgettable characters who seek to rise-to the middle class, to political power, to fame in the movies-and find their lives entangled in the wake of a catastrophe in contemporary India
This is an electrifying debut novel about three unforgettable characters who find their lives entangled in the wake of a catastrophe. They seek to rise-to the middle class, to political power, to fame in the movies. One is Jivan, a Muslim girl from the slums accused of executing a terrorist attack on a train because of a careless comment on Facebook. The second is PT Sir, an opportunistic gym teacher who hitches his aspirations to a right-wing political party, only to find his own ascent linked to Jivan's fall. And the third is Lovely, an irresistible outcast who has an alibi that can set Jivan free-but at the cost of everything she holds dear. Taut, symphonic, propulsive and riveting right from the outset, A Burning has the force of an epic while being so masterfully compressed that it can be read in a single sitting. Majumdar writes with dazzling assurance, at a breakneck pace, on complex themes that read as the components of a thriller: class, fate, corruption, justice and what it feels like to face profound obstacles while nurturing big dreams in a country spinning towards extremism.
6. I Hold a Wolf by the Ears, Laura van den Berg
ONE OF TIME'S 10 BEST FICTION BOOKS OF 2020. Longlisted for the Joyce Carol Oates Prize. Named a Best Book of 2020 by NPR, Bustle, Good Housekeeping, the New York Public Library, Library Journal, Lit Hub, Electric Literature, and Tor.com
"As enchanting as fairy tales, as mysterious as dreams, these exquisitely composed fictions are as urgent and original as any being written today.” ―Sigrid Nunez, author of The Friend, winner of the 2018 National Book Award for Fiction
One of Entertainment Weekly's 50 Most Anticipated Books of 2020 and 30 Hottest Summer Reads, one of O, the Oprah Magazine's 30 Most Anticipated Books of 2020, one of BuzzFeed's Most Anticipated Books of 2020 and 29 Summer Books You Won't Be Able to Put Down, one of Esquire's 20 Must-Read Books of Summer 2020, one of the BBC's Ten Books to Read in 2020, one of TIME's 12 New Books to Read in July one of ELLE's 30 Most Anticipated New Books of Summer 2020, one of Refinery29's 25 Books You'll Want to Read This Summer, one of Time's 45 New Books You Need to Read This Summer, one of Thrillist's 21 Books We Can't Wait to Read in 2020, one of Bustle's Most Anticipated Books of July 2020, one of LitHub's 2020 Summer Books, and one of The Millions Most Anticipated Books of the First Half of 2020
An urgent and unsettling collection of women on the verge from Laura van den Berg, author of The Third Hotel
I Hold a Wolf by the Ears, Laura van den Berg’s first story collection since her prizewinning book The Isle of Youth, draws readers into a world of wholly original, sideways ghost stories that linger in the mouth and the mind. Both timeless and urgent, these eleven stories confront misogyny, violence, and the impossible economics of America with van den Berg’s trademark spiky humor and surreal eye. Moving from the peculiarities of Florida to liminal spaces of travel in Mexico City, Sicily, and Iceland, I Hold a Wolf by the Ears is uncannily attuned to our current moment, and to the fears we reveal to no one but ourselves.
In “Lizards,” a man mutes his wife’s anxieties by giving her a LaCroix-like seltzer laced with sedatives. In the title story, a woman poses as her more successful sister during a botched Italian holiday, a choice that brings about strange and destructive consequences, while in “Karolina,” a woman discovers her prickly ex-sister-in-law in the aftermath of an earthquake and is forced to face the truth about her violent brother.
I Hold a Wolf by the Ears presents a collection of women on the verge, trying to grasp what’s left of life: grieving, divorced, and hyperaware, searching, vulnerable, and unhinged, they exist in a world that deviates from our own only when you look too closely. With remarkable control and transcendent talent, van den Berg dissolves, in the words of the narrator of “Slumberland,” “that border between magic and annihilation,” and further establishes herself as a defining fiction writer of our time.
"As enchanting as fairy tales, as mysterious as dreams, these exquisitely composed fictions are as urgent and original as any being written today.” ―Sigrid Nunez, author of The Friend, winner of the 2018 National Book Award for Fiction
One of Entertainment Weekly's 50 Most Anticipated Books of 2020 and 30 Hottest Summer Reads, one of O, the Oprah Magazine's 30 Most Anticipated Books of 2020, one of BuzzFeed's Most Anticipated Books of 2020 and 29 Summer Books You Won't Be Able to Put Down, one of Esquire's 20 Must-Read Books of Summer 2020, one of the BBC's Ten Books to Read in 2020, one of TIME's 12 New Books to Read in July one of ELLE's 30 Most Anticipated New Books of Summer 2020, one of Refinery29's 25 Books You'll Want to Read This Summer, one of Time's 45 New Books You Need to Read This Summer, one of Thrillist's 21 Books We Can't Wait to Read in 2020, one of Bustle's Most Anticipated Books of July 2020, one of LitHub's 2020 Summer Books, and one of The Millions Most Anticipated Books of the First Half of 2020
An urgent and unsettling collection of women on the verge from Laura van den Berg, author of The Third Hotel
I Hold a Wolf by the Ears, Laura van den Berg’s first story collection since her prizewinning book The Isle of Youth, draws readers into a world of wholly original, sideways ghost stories that linger in the mouth and the mind. Both timeless and urgent, these eleven stories confront misogyny, violence, and the impossible economics of America with van den Berg’s trademark spiky humor and surreal eye. Moving from the peculiarities of Florida to liminal spaces of travel in Mexico City, Sicily, and Iceland, I Hold a Wolf by the Ears is uncannily attuned to our current moment, and to the fears we reveal to no one but ourselves.
In “Lizards,” a man mutes his wife’s anxieties by giving her a LaCroix-like seltzer laced with sedatives. In the title story, a woman poses as her more successful sister during a botched Italian holiday, a choice that brings about strange and destructive consequences, while in “Karolina,” a woman discovers her prickly ex-sister-in-law in the aftermath of an earthquake and is forced to face the truth about her violent brother.
I Hold a Wolf by the Ears presents a collection of women on the verge, trying to grasp what’s left of life: grieving, divorced, and hyperaware, searching, vulnerable, and unhinged, they exist in a world that deviates from our own only when you look too closely. With remarkable control and transcendent talent, van den Berg dissolves, in the words of the narrator of “Slumberland,” “that border between magic and annihilation,” and further establishes herself as a defining fiction writer of our time.
5. Homeland Elegies, Ayad Akhtar
From the Pulitzer Prize-winning author of Disgraced and author of American Dervish, an American son and his immigrant father search for belonging -- in post-Trump America, and with each other.
A deeply personal work about identity and belonging in a nation coming apart at the seams, Homeland Elegies blends fact and fiction to tell an epic story of longing and dispossession in the world that 9/11 made. Part family drama, part social essay, part picaresque novel, at its heart it is the story of a father, a son, and the country they both call home.
Ayad Akhtar forges a new narrative voice to capture a nation in which debt has ruined countless lives and the gods of finance rule, where immigrants live in fear, and where the unhealed wounds of 9/11 continue to wreak havoc around the world. Akhtar attempts to make sense of it all through the lens of a story about one family, from a heartland town in America to palatial suites in Davos to guerrilla lookouts in the mountains of Afghanistan. All the while sparing no one-least of all himself-in order to make better sense of it all.
A deeply personal work about identity and belonging in a nation coming apart at the seams, Homeland Elegies blends fact and fiction to tell an epic story of longing and dispossession in the world that 9/11 made. Part family drama, part social essay, part picaresque novel, at its heart it is the story of a father, a son, and the country they both call home.
Ayad Akhtar forges a new narrative voice to capture a nation in which debt has ruined countless lives and the gods of finance rule, where immigrants live in fear, and where the unhealed wounds of 9/11 continue to wreak havoc around the world. Akhtar attempts to make sense of it all through the lens of a story about one family, from a heartland town in America to palatial suites in Davos to guerrilla lookouts in the mountains of Afghanistan. All the while sparing no one-least of all himself-in order to make better sense of it all.
4. A Children’s Bible, Lydia Millet
Pulitzer Prize finalist Lydia Millet’s sublime new novel—her first since the National Book Award long-listed Sweet Lamb of Heaven—follows a group of twelve eerily mature children on a forced vacation with their families at a sprawling lakeside mansion.
Contemptuous of their parents, who pass their days in a stupor of liquor, drugs, and sex, the children feel neglected and suffocated at the same time. When a destructive storm descends on the summer estate, the group’s ringleaders—including Eve, who narrates the story—decide to run away, leading the younger ones on a dangerous foray into the apocalyptic chaos outside.
As the scenes of devastation begin to mimic events in the dog-eared picture Bible carried around by her beloved little brother, Eve devotes herself to keeping him safe from harm.
A Children’s Bible is a prophetic, heartbreaking story of generational divide—and a haunting vision of what awaits us on the far side of Revelation.
3. The Mirror & the Light, Hilary Mantel
The long-awaited sequel to wolf hall and bring up the bodies, the stunning conclusion to Hilary mantel’s man Booker Prize-winning wolf hall trilogy. ‘If you cannot speak truth at a beheading, when can you speak it?’ England, may 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors.The blacksmith’s son from putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private Army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing br>Henry’s regime to breaking point, cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With the mirror and the light, Hilary Mantel brings to a triumphant close the trilogy she began with wolf hall and bring up the bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and Past, between royal will and a common man's vision: of a modern nation making itself through conflict, passion and courage.
2. Shuggie Bain, Douglas Stuart
Winner of the Booker Prize 2020
Shortlisted for the National Book Award for Fiction 2020
An Observer ‘Best Debut Novelist of 2020’
‘An amazingly intimate, compassionate, gripping portrait of addiction, courage and love’ - The judges of the Booker Prize
It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest.
Shuggie is different. Fastidious and fussy, he shares his mother’s sense of snobbish propriety. The miners’ children pick on him and adults condemn him as no’ right. But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place.
Douglas Stuart’s Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. A counterpart to the privileged Thatcher-era London of Alan Hollinghurst’s The Line of Beauty, it also recalls the work of Édouard Louis, Frank McCourt, and Hanya Yanagihara, a blistering debut by a brilliant writer with a powerful and important story to tell.
Shortlisted for the National Book Award for Fiction 2020
An Observer ‘Best Debut Novelist of 2020’
‘An amazingly intimate, compassionate, gripping portrait of addiction, courage and love’ - The judges of the Booker Prize
It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest.
Shuggie is different. Fastidious and fussy, he shares his mother’s sense of snobbish propriety. The miners’ children pick on him and adults condemn him as no’ right. But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place.
Douglas Stuart’s Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. A counterpart to the privileged Thatcher-era London of Alan Hollinghurst’s The Line of Beauty, it also recalls the work of Édouard Louis, Frank McCourt, and Hanya Yanagihara, a blistering debut by a brilliant writer with a powerful and important story to tell.
1. The Vanishing Half, Brit Bennett the Wild Ladies Are, Aoko Matsuda
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters' story lines intersect?
Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person's decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins.
Praise for Brit Bennett:
'A writer to watch' Washington Post
'Bennett allows her characters to follow their worst impulses, and she handles provocative issues with intelligence, empathy and dark humour' New York Times
'A beautifully written, sad and lingering book' Guardian on The Mothers
Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person's decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins.
Praise for Brit Bennett:
'A writer to watch' Washington Post
'Bennett allows her characters to follow their worst impulses, and she handles provocative issues with intelligence, empathy and dark humour' New York Times
'A beautifully written, sad and lingering book' Guardian on The Mothers
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